Where AI-generated imagery collides with hand-crafted French wordplay. Two poster series. 100+ pieces. Society dissected through puns, phonetic chaos, and visual absurdity.
Each image is a snapshot of a society that is both complex and wavering. Images and language derail together. Political commentary, spiritual critique, existential absurdity, all filtered through wordplay so sharp it draws blood. From Poulpe Fiction to Conflit de Canards, every piece is a small detonation of meaning.
A joyful creative mess combining Mediterranean warmth with poetic dystopia. Random jokes served in olive oil, phonetic troubles crossing borders, cosmopolitan quirks from the shores of the absurd. Identity, culture, and humor without a passport.
The images are generated by AI. The words are 100% natural. This is deliberate. The machine sees what we cannot imagine. The human writes what the machine cannot feel. Together they produce something neither could alone.
Generative AI creates surreal, impossible scenes that ground the wordplay in visual absurdity. Every image is a world that almost makes sense.
Hand-crafted French wordplay, puns, sonic distortions, and linguistic bombs. Each title is a small act of creative vandalism against the dictionary.
Paris-based photographer turned satirical poster artist. Trained as an engineer at INSA Lyon, then chose cameras over calculations. A decade of corporate photography taught him how the world presents itself. Encre Acide is how he talks back.
Art that bites. Words that detonate. Posters that refuse to behave.
Encre Acide — Paris, 2026